The way he simply cuts a swath through the lives of everyone he touches, destroying those he seems to care about in his own twisted way, those he detests and those to whom he is indifferent alike.
It is hard to watch because not only because of a vicious murder. We have become accustomed to those. What is painful is the profound betrayal.
You won't know what to make of this film, but I promise you will never forget it.
It is hard to watch because not only because of a vicious murder. We have become accustomed to those. What is painful is the profound betrayal.
You won't know what to make of this film, but I promise you will never forget it.
In
what may be one of the most devastating murder scenes I have seen, Iwao
starts to strangle a woman who has come to love him, knowing full well
that he is on the run for murder.
Her face, as he strangles her is docile, as if she trusts him completely and will accept whatever he feels is best.
But
aside from the sickening protagonist, what stands out are the side
characters, many of whom are every bit as twisted as Iwao, most notably
the killer’s father who wants more than anything to touch his
daughter-in-law.
There are so many resonant moments in this film. The scene where the killer’s father buries a puppy alive up to its neck as his daughter-in-law pours boiling water on its head.
But I think my favorite moment in the film is when
the father tells his daughter-in-law that he is ready to be carted off
to the old folks’ home where he can set in the sun and drool all over
himself.
His daughter-in-law tells him that she’ll come to see him every day and lick the drool off his lips.
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