She has no other choice than to go home, so she moves back into her parents' empty house. She runs into Oscar (Jason Sudeikis), an old friend from back in the day who owns a bar.
Then, twenty minutes into the film, it takes a sharp turn. The day after she gets back in town, she finds out that the city of
has been devastated by a giant monster.
The creature appeared and then vanished out of thin air above the city.
Soon, Gloria starts to obsess about the monster. She makes maps, graphs and pictures and she hangs them on a wall in the empty house. We start to wonder why Gloria is so fascinated by the whole story while other characters seem more blasé about the situation.
And it soon becomes obvious that she's right. At a specific place in her hometown, at a designated time, it seems Gloria is somehow controlling the creature. It mimics every movement. Each gesture, each step.
Then a giant robot appears with the monster like they are a comedy duo, part of a bit. The robot appears to be controlled by Oscar. Think Optimus Prime meets Godzilla.
Sadly, before too long, Oscar understandably decides controlling a giant robot can actually be a jolly good time. This transforms him from the warm, compassionate hometown friend into a dangerous scoundrel.
This puts Gloria and Oscar at odds. That is to say Oscar starts being a real dick, alienating Gloria and his friends.
"Colossal" makes a clear statement about the raw nature of power. It can turn you evil and it will drive you mad. Sometimes to the point of murderous. You need only look at the world, and our country, to understand how vital it is that people understand this truth.
The film has a Joe Dante (Gremlins, Matinee) vibe to it. It is mischievous, sarcastic, darkly funny and violent.
What "Colossal" gives us is 105 minutes of a damn good time. It might not be the best horror film I have seen this year, but it certainly is the most entertaining.