I have seen this film marketed as a thriller, a mystery, a western and a drama. But make no mistake, "Brimstone" is a straight-up horror film.
The villain in "Brimstone" is clearly identified at the start of the film. Liz (Dakota Fanning) Instantly recognizes his voice, even before we see his face. When she hears The Reverend (Guy Pearce) speak, she freezes up. All of the blood and hell vanishes from her face, leaving her an insane shade of white.
And we will discover, bit by bit, that The Reverend is just as menacing as any monster you've seen.
Normally, 'greasy' is a word that describes how something feels or looks, but The Reverend sounds greasy. You can hear the pomade gurgling through his throat.
When Liz, the midwife of the small town, is in the middle of delivering a baby, she faces a tragic choice: save either mother or the child . She can't save them both and she chooses the former. This horrifying opening sequence drains us emotionally and that is only at the twelve-minute mark.
It takes just moments until The Reverend starts to sow seeds of discord in the community he is settling into. Soon, people are calling Liz a child murderer and demanding she be burned at the stake. The Reverent has no empathy, no mercy, only wrath to bring down on Liz' head. And not even her husband can see how petrified she is.
The Reverend says he is after Liz to bring her to justice for a past murder.
Vengeance. Why does it always have to be vengeance?
She flees with her children to her father-in-law's home and the story switches over to Johanna (Emilia Jones,) a younger woman.
Johanna is a victim of circumstance. She passes out in the wilderness and is rescued by a foreign family. But this doesn't turn out to be a stroke of luck.
At the next town they encounter, just like those typical old-west places we've seen in too many movies to remember. The family stops at the first saloon/whorehouses they come across.
Before she knows it, Johanna has been sold and told that she is now officially a whore. And before she can even settle in, one of her sisters by circumstance is hanged.
As time passes, she settles into her new life, though it's clear she is not callous. She and her sisters are systematically abused and helpless to fight back.
Then, The Reverend shows up at the cat-house. Just like Liz, Johanna recognizes his voice instantly. And just like Liz, Johanna is paralyzed with fear.
Soon, we see the connection between these two and it's a shock. And we haven't even reached the halfway point yet.
The Reverend is malevolence personified. He creeps in and out of this woman's life, searching for something to cut.
There are opportunities for Johanna to escape. She falls in love with a man who tells her, "I seen your mother. She's the kind of person who turns the other cheek. Are you like her?" No, she is not. She fights and resists with every bit of her cunning and strength.
The Reverend turns up to thwart every attempt to escape.
What sets "Brimstone" apart from similar films is that it does not tell the story and then give us a twist at the end to shake us up. This film twists all the way through. We spend most of our time watching this either surprised or just plain confused. You get the feeling you have to keep looking over your shoulder.
The Reverend's sadism increases as we go from one section of the film to another. His capacity for cruelty has no limits. He terrorizes us right through the cruel and unforgiving climax.
But you should know what you're in for. "Brimstone" is not a film to watch if you're looking for a suspense movie or a thriller.
This is one of the most difficult movies I have ever sat through. It's right up there with "Henry: Portrait of a Serial Killer" with that visceral vomit taste at the bottom of your stomach.
It is an eye-opening look at the dangers of our world through a woman's eyes.
So let's not argue anymore. Women have a harder time than men. That settles that.
At least, I know I will never be able to sing, "Abide With Me" again.
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